Production Diary 3

Kim Production Diary

As I mentioned in the last post, Elle, our Production Designer, is beginning to work on images for pre-production. She delivered her first group of pictures this week, and they are AMAZING! They really capture the look I am going for.

Here are a few of them. You can see more on our new Visuals page.

KIMskectch01

KIMskectch02

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Production Diary 2

Kim Production DiaryAn ongoing series chronicling the production (pre, shoot, and post) of our new movie Kim.

I met with Elle, our Production Designer yesterday, and we had a good talk about the look of the film. We discussed what genre Kim belongs to and agreed that though on the surface it’s a science fiction film, Kim might be better thought of as a surreal dream or nightmare, at least that’s a productive way for us to think about it as we develop the visuals. I like the way Elle thinks. This meeting gives me confidence we are on the right track.

We talked about visual references for the film, Bosch, Escher, Guy Maddin, Under the Skin, but I also suggested she look at Tibetan Buddhist art. It has a deep spiritual character I would like to capture, and a strange balance of stillness and movement, especially in the sculptures. I suggested she visit The Rubin Museum, a treasure trove of Himalayan art and one of my favorite places in the city (free Friday nights to boot!)

I commissioned Elle to do some pre-production art, so we should see some of her work up on the website soon.

Production Diary 1

Kim Production DiaryAn ongoing series chronicling the production (pre, shoot, and post) of our new movie Kim.

This is the first post in what will be an ongoing diary of the production of our new movie, Kim, from pre-production, through the shoot and post-production.

We’re very much at the beginning of the pre-production stage right now, so it’s a perfect time to start a production journal. We’ve got our script, an 80-page feature. We’ve assembled a great team: myself (Bob) as Writer/Director, Producer Leeah Odom, Composer Lenny Gonzalez, Cinematographer Matthew Boyd, and Production Designer Elle Kunnos de Voss.

We have a that we will continue to develop as the production evolves.

Producer Leeah Odom and I are having weekly meetings either by phone or in person to discuss the film, review the previous week’s accomplishments, and set goals for the next week,

At this point, we’ve identified four key areas that we need to focus on.

1. Finalizing our budget and business plan, so we can start up our fundraising push.

2. Finding a location for the shoot.

3. Beginning to search for and audition the cast.

4. Create awareness and buzz about the project.

More on each of these as the weeks go by. In the meantime, I hope you enjoy these insights and behind the scenes peek at the nuts and bolts of film production.